NaNoWriMo Inspiration!

NaNoWriMo is upon us! Confession: this is my first time. Every year it has come and gone while I was distracted by other projects. But not anymore! I'm making it happen! And so, in lieu of a wordy blog post, I offer up a collection of inspirational 'get started' snippets that will hopefully help fuel all my other Wrimos out in the trenches with me. Click each photo for the original link. If you really want to, you can feel free to check out my writing Pinterest board for more. Now get writing!

Three Essential Questions to Ask Your Supporting Characters

                      

My drama teacher used to say, “There are no small parts. Only small actors.” While this might have been used at the time to assuage the ego of a rather precocious eight-grader, the truth of it nonetheless rings true. The supporting characters of any play, film, or novel are arguably one of the best ways to make your story well-rounded, timeless, and engaging. 

Imagine Harry Potter without Neville or Luna. Imagine Pride and Prejudice without Lydia. Imagine Romeo and Juliet without Mercutio. Imagine Step Up II without Moose.

Across genre, style, and century, supporting characters are the legs that hold the story-table up. But character development of any kind is tough, and the smaller roles are usually the first to be neglected.

Don’t fall into that trap.

How To Handle Criticism (As A Writer)

Dealing with criticism can be a seriously tricky business as a writer. After all, the words we put on paper are us. They're our thoughts, our hearts, our words, our souls. Criticism of your words can feel like criticism of your very person.

This, in fact, is one of the reasons many writers get stuck. We don’t want to take risks, or--if we do--we don’t want to show anyone those risks. When we do share our work, if it’s not met with unabashed aplomb, we often react with either severe pain (retreating and licking our wounds, kicking ourselves and vowing never to write again) or anger (a harrumph and a growl, a vow that your reader is uncultured swine and just doesn’t understand your genius).

Both reactions, it might be noted, are rooted in fear. Fear that we’re not good enough. Fear that we don’t measure up.

The 'Show, Don't Tell' Monster

You’ve heard it before, a thousand times, from the instant you decided to write. Haven’t you? Show, don’t tell! The snarky little catchphrase that seems to haunt your every edit. You could have sworn you were showing in that last draft, but upon rereading...nope, you were telling. And telling. And telling. And now you feel like you’re the worst writer in the world and so why should you even bother??!

Anyone else kind of want to pull their hair out when things get like this?

I know I do. Which, I realize, does not make me the most expert of writers to preach upon such a subject. But I’ve had this three-word stalker crouching behind me for a significant chunk of years now, so I've collected a few thoughts about it. Some ways to avoid it’s breathy snarl. Because, honestly, when I first started hearing it, I had no flipping clue what these people were talking about.

Here’s some ideas on how to figure out what people mean when they throw this at you like a pitchfork in the middle of your writing group.

Are You Fed Up Yet?

Reading Poetry
by Thomas John Walters

I am fed up,

meat on bones,

sucked down,

devoured.

My sails fill up,

winds of dawning lights rustle through pages,

through windows to YES worlds,

rustle hope, rustle yes, rustle the poetic life in me; 

and every greatness is in reach of my heart. 

This poem is for you, writers. That opening line especially.

What feeds you? 

Besides food, I mean. What feeds your soul? What enriches your sense of self? What stimulates your creativity? 

There is something out there that will slice open your sense of wonder like a can-opener slices open those delicious cans of syrupy pineapples.

Mmmmm. Pineapples.

We writers like to be serious. We like to be aloof and wise and research-ey and tough. We like to sit in our stuffy studies with our whiskey, hem and haw about politics, and pretend we know waaaaay more than we do. We like to get fed up in the negative sense. We're fed up with society! With the government! With mainstream entertainment! And most of all we're fed up with those people! You know the ones.

But where's the wonder in that? Where's the joy? Where's the syrupy pineapple goodness?

Get yourself fed up in the wonderful sense. Let's call it the pineapple sense. That should keep you from getting too serious. 

Find out what feeds your soul and DO NOT mock yourself for loving it! Not allowed. 

Play. Go to the beach. Stare at the sea. Climb a tree. Read poetry. Look at art. Make macaroni and inwardly comment how smooth and delicious you find the cheese. Go to your local sock store. Sock art can be way inspiring.

This doesn't have to be refined, people. It only has to awaken that childlike piece of you that enjoys doing handstands and popping bubbles and eating pineapples (see what I did there?). This piece of you has odd questions, strange ideas, and has not yet learned to be self-conscious. It creates constantly, innately, delightedly. Doesn't that sound nice?

Keep with your hard-working writerly self, of course, but get that wonder back. Your writing will be best if you combine the two. 

Find your can opener. Get fed up. Get writing. 

Thanks to Thomas John Walters for writing/sharing the gem of a poem up top!  

10 Ways to Keep Your Focus While You Edit

Editing is one of those things that will either feel like swimming with dolphins through a rainbow sea or trudging with Artax through the Swamp of Sadness. It can be horribly demoralizing watching your baby sink to the depths of what looks like depravity. You're editing and suddenly you think, "This is awful. Why am I bothering?" or "What was I thinking?" or "This is driving me crazy, and I wrote it! What will a reader think?"

With every negative thought, your project looks like it's sinking deeper and deeper into that pile of mud. But you've got to remember (spoiler alert): At the end of the movie, Atreyu is riding happily across a meadow on the back of his beloved Artax. You know why? Because he didn't give up. To that end, I've compiled a happy little list of ways to keep you from giving up when it feels like you just can't go any further with this $%*#@ editing process.

The Beauty of the Bullet Point

Jane Yolen rocks. 

You are a writer. You have goals. For instance, you have committed to writing a:

• Blog post
• Short Story
• Long Story
• Magazine Article
• Pretty much anything with a deadline (either real or imagined)

You are aware, above all, that writers write, so you know you need to get started. But there's all kinds of things preventing you from doing so.

Editing The Bob Ross Way

Happy Trees. 

When you imagine a painter at work, does he start at one corner of the canvas and do every single detail for every single square inch, moving across the field in this manner as though putting together a puzzle? No? Then why do so many writers approach editing this way? 

Painting happens in layers. A painter will lay the bare bones of an image first--maybe some base lines with only a few colors. Then she'll add another layer that includes depth and a few more images. Then another layer for texture and even more images. You get the idea. If not, go watch this time-lapse Bob Ross video. Bob Ross is the bomb. 

Jesus Told Stories

Easter weekend got me reflecting about a few things, not the least of which are stories. Stories make a difference in our lives. If you ever need to be reminded of that, think of Jesus. Seriously. No matter what you think about the guy, whether you like him or not, you've heard of him, right? Right. He's kind of well known. In his own lifetime, crowds of thousands followed him around--literally hounded him into the wilderness--to get a chance to hear him speak.

And when he spoke, he generally just told stories. 

Rejection Happens. Keep Writing.

Writers face rejection. All the time. Multiple times. Often this rejection comes with harsh criticism, snarky comments, or worse, no explanation at all—just a silent lack of response. As a writer you must know, above all else, that whatever you’re working on will certainly be rejected by many agents and publishers alike. If it ever is published, there will probably be a whole pile of people who take significant time out of their day to announce why they think your work is a pile of poop. It's the internet. Potty humor happens.

Don’t believe me? A bestselling author, Jerzy Kosinski, decided to test this theory and show everyone exactly how difficult it is for new writers to get started. He submitted his book Steps, which was already a commercial success, under a pen name to 13 literary agents and 14 publishers. All of them rejected it, even Random House--who had already published it!